Texts on Frederick Kiesler

UNDER CONSTRUCTION

2018

  • “Act Four: Home. Frederick Kiesler and Art of This Century” In: Anger, Four Metaphors of Modernism: From Der Sturm to the Société Anonyme. Minneapolis, Minnesota: University of Minnesota Press, 2018, 221–232.
  • “Frederick Kiesler: a surrealist among the technocrats” In: Strum, Suzanne. The Ideal of Total Environmental Controls: Knud Lönberg-Holm, Buckminster Fuller and the SSA. London: Routledge, 2018, 142–147.
  • “Transforming Audiences: Stage Design to Industrial Design. Franklin Simon window displays, 1927–1930” In: Maffei, Nicolas P.. Norman Bel Geddes: American Design Visionary (Cultural Histories of Design). Oxford, New York, New Delhi, Sidney: Bloomsbury, 2018, 43–46.
  • Pérez-Gómez, Alberto. “Surrealism and Architectural Atmosphere” In: Celebrating the Marvellous: Surrealism in Architecture. Spiller. Architectural Design. March/April 2018. Profile No 252, 02/Vol 88/2018. Chichester: John Wiley & Sons, 2018, 25-29.
  • Cataldo, Christina. “Armando Andrade Tudela” In: Copy, Translate, Repeat: Contemporary Works from the Patricia Phelps de Cisneros Collection. Harper Montgomery. New York: Hunter College Art Galleries, 2018, 26–29.
  • “Kultur, Theater im Aufbruch. Raumbühne im Konzerthaus Wien” In: Kapfinger, Otto and Stiller Adolph. Fundamente der Moderne. Architektur in Österreich – neu gesehen. Salzburg, Vienna, Müry Salzmann Verlag, 2018, 166–177.
  • “Archisculpture: Friedrich Kiesler. Studies for the Endless House” In: Masterpieces of Architectural Drawing from the Albertina Museum. (Ausst. Kat.) Ed. Christian Benedik. Munich, New York, London: Prestel, 2017, 310–311. Tchoban Foundation
  • Papapetros, Spyros. “El nacimento del diseño” In: Los límites del diseño. Ciudad de México: Arquine, 2018, 17–26.
  • Lesák, Barbara. “Aufstieg und Fall der Theateravantgarde in den Ländern der ehemaligen Donaumonarchie” In: Klimt ist nicht das Ende. Aufbruch in Mitteleuropa. (Ausst. Kat.) Ed. Rollig, Stella, Klee, Alexander. Munich: Hirmer, 2018, 188–193.
  • Bogner, Dieter. “Friedrich Kiesler im Spannungsfeld von Adolf Loos und Josef Hoffmann. Ein Versuch” In: Zwischenräume Zwischentöne: Wiener Moderne, Gegenwartskunst, Sammlungspraxis. Festschrift für Patrick Werkner. Reinhold, Bernadette, Kernbauer, Eva. Berlin, Boston: Walter de Gruyter, 2018, 151–157.

 

2017

  • Önol, Işın und Jochum, Richard. ed. Richard Jochum. Endless Bodies of Work. Vienna: Austrian Frederick and Lillian Kiesler Private Foundation, 2017.
  • “Frederick J. Kiesler. Notes on Architecture: The Space-House Annotations at Random” In: Stadler, Robert and Vaillant, Alexis. On Things As Ideas – A Reader. Berlin: Sternberg Press, 2017, 149–155.
  • Shapira, Elana. “Kiesler, Rudofsky, and Papanek: The Question of Gender” In: Émigré Cultures in Design and Architecture. Clarke, Alison J. and Shapira, Elana. London, Oxford, New York, New Delhi, Sidney: Bloomsbury, 2017, 141–158.
  • Haran, Barnaby. “Shaping the Mass Mind: Frederick Kiesler and the Psychology of Selling” In: Émigré Cultures in Design and Architecture. Clarke, Alison J. und Shapira, Elana. London, Oxford, New York, New Delhi, Sidney: Bloomsbury, 2017, S. 63–76.
  • “Designing the Body” In: Are We Human? The Design of the Species – 2 seconds, 2 days, 2 years, 200 years, 200,000 years. Colomina, Beatriz and Wigley, Mark. Zurich: Lars Müller Publishers, 2017, 167–182.
  • Phillips, Steven. Elastic Architecture: Frederick Kiesler and Design Research in the First Age of Robotic Culture. Cambridge, Massachusetts: MIT Press, 2017.
  • “Céline Condorelli and Maria Lind in Conversation” In: Céline Condorelli: bau bau. Lissoni, Andrea. Milan: Mousse Publishing, 2017, 23–34.
  • Berghaus, Günter. “Prampolini and the Theatre of the 1920s: Exhibitions of Stage Design, Mechanical Theatre, and Dance” In: Strozek, Przemyslaw. Enrico Prampolini. Futurism, Stage Technique and the Polish Avant-garde Theatre. (Kat. Ausst.) Łódź: Muzeum Sztuki, 2017, 49–96.
  • Kraus, Eva. “André Breton, Marcel Duchamp und Friedrich Kiesler in kuratorischer Korrelation: Die Ausstellung der Surrealisten von 1947” In: Marcel Duchamp als Kurator / Ausstellungen zum Thema 100 Jahre Readymade mit Werken aus der Daimler Art Collection. Wiehager, Renate and Neuburger, Katharina. Cologne: Snoeck, 2017, 162–197.
  • “Frederick Kiesler. L’architecture de la Cité dans l’espace”, “Frederick Kiesler. L’architecture magique”, In: Conrads, Ulrich. Programmes et Manifestes de l’architecture du XXe Siècle. Brunswick: Vieweg & Sohn Verlagsgesellschaft, 2017, 117, 179–180.
  • “Friedrich Kiesler: Wien – New York”, “Inside the Endless House”, “Kunstwerke in Szene setzen. Friedrich Kieslers Ausstellungsdesign 1924–1957” In: Bogner, Dieter, Bogner, Gertraud, Hubin, Andrea, Millautz, Manuel. Perspektiven in Bewegung. Sammlung Dieter und Gertraud Bogner im mumok. Cologne: Verlag der Buchhandlung Walther König, 2017, 253–282, 367–382, 383–392.

 

2016

  • Papapetros, Spyros. “Architecture and Life: Biological Analogies and Tectonic Oppositions” In: Architecture of Life. Rinder, Lawrence. Berkeley, California: UC Berkeley Art Museum and Pacific Film Archive, 2016, 35–54.
  • Migayrou, Frédéric. “Les variétés d’un organicisme” In: Pitiot, Cloé. Pierre Paulin. (Kat. Ausst.) Paris: Centre Pompidou, 2016, 40–53.
  • “Il Correalismo di Friedrich Kiesler” In: Burkhardt, François. Dalla certezza alle incertezze. 40 anni di ricerca tra architettura, design, artigianato e ambiente. Mantua: Corraini Edizioni, 2016, 36–40.
  • “Der Correalismus von Friedrich Kiesler” In: Burkhardt, François. Auf dem Weg zu Ungewissheiten. Experimente in Architektur, Design, Kunsthandwerk und Umweltgestaltung. Basel: Birkhäuser, 2016, 30–33.
  • “The Dead End of the Museum” In: The Apparently Marginal Activities of Marcel Duchamp. Filipovic, Elena. Cambridge, Massachusetts: MIT Press, 2016, 157–283.
  • “Fourth Dimension, Sixth Sense: Or Sublime Impudence Revisited”, “Meaningfulness: The Omnianonymous Melody” In: Rasula, Jed. The History of a Shiver. Oxford: Oxford University Press, 2016, 200–221, 223–235.
  • Bosse, Anke. “Abstraktion der Bühne und Depersonalisierung. Katalysatoren einer Technifizierung des Theaters der Moderne und der Avantgarden (Karel Čapek und Friedrich Kiesler)” In: Verdrängte Moderne – vergessene Avantgarde. Diskurskonstellationen zwischen Literatur, Theater, Kunst und Musik in Österreich 1918–1938. Kucher, Primus-Heinz. Göttingen: Vandenhoeck & Ruprecht, 2016, 65–78.
  • Lesák, Barbara. “Die österreichische Theateravantgarde 1918–1926. Ein Experiment von allzu kurzer Dauer” In: Verdrängte Moderne – vergessene Avantgarde. Diskurskonstellationen zwischen Literatur, Theater, Kunst und Musik in Österreich 1918–1938. Kucher, Primus-Heinz. Göttingen: Vandenhoeck & Ruprecht, 2016, 43–64.
  • Buhmann, Stephanie. “Across the Atlantic. The Correspondence and Friendship between Hans Arp and Frederick Kiesler” In: Hans Arp and the United States. Steinkamp, Maike and Würtenberger, Loretta. Berlin: Stifung Hans Arp, 2016, 88–105.
  • Elcott, Noam M.. “Spaceless Play. Oskar Schlemmer’s Dance Against Enlightenment” In: Artificial Darkness. An Obscure History of Modern Art and Media, Chicago/London: University of Chicago Press, 2016, 165–228.
  • –, Designing Tomorrow. Friedrich Kieslers Mergentime Apartment. Vienna: Austrian Frederick and Lillian Kiesler Private Foundation, 2016.
  • Sioli, Angeliki. “Is the Endless a House?” In: Chora 7: Intervals in the Philosophy of Architecture. Pérez-Gómez, Alberto and Parcell, Stephen, Quebec: McGill-Queen’s University Press 2016, 263–284.
  • Thun-Hohenstein, Christoph, Bogner, Dieter, Lind, Maria and Vischer, Bärbel, ed. Friedrich Kiesler. Lebenswelten. Architektur–Kunst–Design (Kat. Ausst.) Basel: Birkhäuser, 2016.
  • Adams, Samuel. “Installation Views: A historical Compendium” In: The Artist’s Museum. Byers, Dan. Boston: ICA/Boston, New York, London, Munich: Prestel and DelMonico Books, 2016, 190.
  • Donhauser, Peter. “Klingender Strom und seine Kreise. Max Brand im Umfeld elektronischer Klangerzeugung” In: Schimana, Elisabeth. Maschinen für die Oper. Der Komponist Max Brand – Visionen, Brüche und die Realität. Vienna: Hollitzer, 2016, 97–116.
  • Papapetros, Spyros. “La Cueva portátil“ In: Allora y Calzadilla. Puerto Rican Light (Cueva Vientos). New York: Dia Art Foundation, 2016, 71–83.
  • Papapetros, Spyros. “The Portable Cave” In: Allora y Calzadilla. Puerto Rican Light (Cueva Vientos). New York: Dia Art Foundation, 2016, 67–80.
  • Lee Chichester, Katharina. “Evolution and the Design Process: The Myth of Optimization“ In: +ultra. knowledge & gestaltung. Doll, Nikola, Bredekamp, Horst and Schäffner, Wolfgang. Leipzig: Verlagsgruppe Seemann Henschel, 2016, 81–88.
  • Lee Chichester, Katharina. “Evolution und gestalterischer Prozess: Der Mythos der Optimierung“ In: +ultra. gestaltung schafft wissen. Doll, Nikola, Bredekamp, Horst and Schäffner, Wolfgang. Leipzig: Verlagsgruppe Seemann Henschel, 2016, 85–92.
  • “De Stijl in Dialog met eigentijdse Kunstenaars”, “Beelding toegepasst op andere Kunsten” In: van Straaten, Evert and Anthonissen, Anton. De Stijl 100 jaar inspiratie. De Nieuwe Beelding en de internatonale Kunst 1917-2017. Zwolle: Uitgeverij Waanders & de Kunst, 2016, 47–82, 267–302.
  • ”The Surreal House – Erotic Epiphanies and Fearful Anxieties” In: Spiller, Neil. Architecture and Surrealism. London: Thames and Hudson, 2016, 74–121.

 

2015

  • Sonzogni, Valentina. “Rizoma” In: A come Animale. Voci per un bestiario dei sentimenti. Caffo, Leonardo and Cimatti, Felice. Milan: Bompiani Publishing, 2015, 215–231.
  • “Escenarios contingentes o la arquitectura sin fin” In: Miranda, David: La disonancia de El Eco. Ciudad de México: Arquine, 2015, 43–56. 
  • “Après la guerre, l’activité artisique reprend á Paris” In: Maldonado, Guitemie, Martin, Marie-Pauline, Pernac Natacha and Rowley, Neville. Bescherelle Chronologie de l’histoire de l’art: de la Renaissance à nos jours. Paris: Éditions Hatier, 2015, 360–361.
  • Selz, Peter. “Two Teachers: A Conversation” In: Zahavi Schwartz, Steven. Seeking Engagement: The Art of Richard Kamler. Champaign, Illinois: Common Ground Publishing, 2015, 69–78.
  • Dematté, Rosanna. “Dynamik des Raumes. Skulptur, Architektur- und Bühnenkonzepte” In: Das ist Österreich! Bildstrategien und Raumkonzepte in Österreich 1914-1938. Vorarlberg Museum. Berlin: Gebr. Mann Verlag, 2015, 64–77.
  • Bollinger, Klaus, Medicus, Florian and Austrian Frederick and Lillian Kiesler Private Foundation, ed. Endless Kiesler, Basel: Birkhäuser, 2015.
  • Colomina, Beatriz. “Endless Interior: Kiesler’s Architecture as Psychoanalysis” In: Private Utopia. Cultural Setting of the Interior in the 19th and 20th Century. Sarnitz, August und Scholz-Strasser, Inge. Berlin: De Gruyter 2015, 124–148.
  • Lo Pinto, Luca, Joan Müller, Vanessa and Austrian Frederick and Lillian Kiesler Private Foundation, ed. Function Follows Vision, Vision Follows Reality. Berlin: Sternberg Press, 2015.
  • Austrian Frederick and Lillian Kiesler Private Foundation, ed. Фредерик Кіслер. Художник, архітектор, візіонер. Frederick Kiesler. Artist, Architect, Visionary, Vienna 2015.
  • Austrian Frederick and Lillian Kiesler Private Foundation, ed. Kiesler and Bartos. The Shrine of the Book (19/2015) Vienna: Austrian Frederick and Lillian Kiesler Private Foundation, 2015.
  • “La Ciudad en el Espacio de Kiesler”, “Kiesler y la Arquitectura Neoplastica”, “El continuum de Duchamp y en endless de Kiesler”, “La Exposición International del Teatro en Viena y Art of This Century de Kiesler”, “La Endless House como conclusión”, “La Space House, Endless en lo doméstico” In: Paz Agras, Luz. Explorar los límites. Arte y Arquitectura en las exposiciones de las Vanguardias. Buenos Aires: Diseño, 2015, 24–26, 38–40, 85, 86–90, 96–97, 98.
  • Weibel, Peter. “Kiesler als Künstlertypus (1975/1987)” In: Enzyklopädie der Medien, Band 1: Architektur und Medien. Die Künste des Raumes im Zeitalter der Medien. Universität für angewandte Kunst Wien und ZKM | Zentrum für Kunst und Medientechnologie Karlsruhe. Ostfildern: Hatje-Cantz, 2015, 281–285.
  • “Die weichen Architekturmodelle im 20. und 21. Jahrhundert” In: Neuwirth, Markus. Barock – Kunstgeschichte eines Wortes. Innsbruck: Studien Verlag, 2015, 35–46.
  • “Internationale Ausstellung neues Theatertechnik” In: Teatro Total: arquitectura y utopía en el período de entreguerras. López, Juan Ignacio Prieto. Buenos Aires: Disegño, 2015, 50–127.
  • “Chapter 2: Large Glass/Shop Window”, “Mechanical Ballets” In: Trodd, Tamara. The Art of Mechanical Reproduction. Chicago: University of Chicago Press, 2015, 76–90, 226–238.
  • Springer, Anna-Sophie. “Reading Rooms Reading Machines” In: Springer, Anna-Sophie and Turpin, Etienne. Fantasies of the Library. Cambridge, Massachusetts: MIT Press, 2015, 51–95.

 

2014

 

2013

 

2012

  • Austrian Frederick and Lillian Kiesler Private Foundation, ed. Space House. (11/2012.) Vienna: Austrian Frederick and Lillian Kiesler Private Foundation, 2012.
  • Dreishpoon, Douglas. “Sculpture’s Expanding Area.” In: Archives of American Art Journal. Washington, DC: Smithsonian Institution, 2012. 24-35.
  • Lesák, Barbara, and Trabitsch, Thomas, ed. Frederick Kiesler. Theatervisionär – Architekt – Künstler. (Exh. cat.) Vienna: Brandstätter, 2012.
  • Mammì, Lorenzo. “As bordas.” In: O que resta. Arte e crítica de arte. Sao Paolo: Companhia des Letras, 2012. 54-117.
  • Molderings, Herbert. “Das Glück selbst. Auf der Suche nach dem ‘Grünen Lichtstrahl’ von Marcel Duchamp.” In: Die nackte Wahrheit. Zum Spätwerk von Marcel Duchamp. Munich: Hanser, 2012. 130-193.
  • Ockman, Joan, ed. “Disciplinarity. Redefining Architecture’s Limits and Identity.” / “Research. Toward a ‚Scientific’ Architecture.” In: Architecture School. Three Centuries of Educating Architects in North America. Cambridge, MA: MIT Press, 2012. 291-298, 386-391.
  • Schneider, Svenia. Blob-Architektur für das 21. Jahrhundert. Neues Paradigma oder Relaunch einer ehrwürdigen Tradition. Marburg: Tectum, 2012. (187-190.)
  • Schroeder, Katja, ed. We Make Versions. (Exh. cat.) Münster: Westfälischer Kunstverein, 2012. 1-5, 63-66.
  • Smolińska, Marta. “Pierwsze podzielone obrazy.” In: Otwieranie obrazu. De(kon)strukcja uniwersalnych mechanizmów widzenia w nieprzedstawiającym malarstwie sztalugowym ll połowy XX wieku. Toruń: Wydawnictwo Naukowe, 2012. 272-277.
  • Zillner, Gerd. “Friedrich KIESLER.” In: Space Affairs | Raumaffären | Affaires d’espace. (Exh. cat.) Vienna: Springer, 2012. 119-121.

 

2011

 

2010

 

2009

 

2008

 

2007

 

2005

 

2004

  • Bassi, Alberto. “Arredi Correalisti di Kiesler per la galleria Peggy Guggenheim a New York, 1942.” In: Casabella. 9.725 (2004). 92-97.
  • Davidson, Susan, and Rylands, Philip, ed. Peggy Guggenheim & Frederick Kiesler. The Story of Art of This Century. Ostfildern: Hatje Cantz, 2004.
  • Erdman, David. “Material Potency: Media and Mediation.” In: Architectural Review Australia. 090 (2004). 73-76.
  • Jesberg, Paul. “Poetik des Raumes. Friedrich Kiesler und sein Endless House.” In: Mensch + Architektur. 44/45 (May 2004). 8-11.
  • Pessler, Monika. “Peggy and Kiesler.” In: Parnass. 1.24 (2004). 156-157.
  • Phillips, Stephen. “Introjection and projection: Frederick Kiesler and his dream machine.” In: Surrealism and Architecture. Ed. Thomas Mical. London: Routledge, 2004. 140-155.
  • Schleif, Nina. “American Union of Decorative Artists and Craftsmen (AUDAC).” In: Schaufenster Kunst. Berlin und New York. Cologne: Böhlau, 2004. 142-149.
  • Schleif, Nina. “Die erste ausführliche Präsentation moderner Schaufenster. Frederick Kieslers Schaufenstergestaltungen für Saks & Co., 1928.” In: Schaufenster Kunst. Berlin und New York. Cologne: Böhlau, 2004. 151-168.

 

2003

  • Austrian Frederick and Lillian Kiesler Private Foundation, and Museum für Moderne Kunst Frankfurt am Main, ed. Friedrich Kiesler: Endless House 1947-1961. Ostfildern: Hatje Cantz, 2003.
  • Hendrix, John. Architectural Forms and Philosophical Structures. New York: Peter Lang, 2003. (“Georges Bataille and Frederick Kiesler”, 203-219)
  • Johnson, Ken. “An Ambitious Architect Of Visions and Dreams.” In: New York Times. 05.09.2003. E30.
  • Kraus, Eva, and Sonzogni, Valentina. “Friedrich Kiesler: Les Larves d’Imagie d’Henri Robert Marcel Duchamp.” In: Marcel Duchamp – Druckgraphik. Ed. Martin Zeiller. (Exh. cat.) Vienna: University for Applied Arts, 2003. 83-88.
  • Sonzogni, Valentina. “Film Guild Cinema.” In: Future Cinema. Ed. Peter Weibel, and Jeffrey Shaw. Cambridge, MA: MIT, 2003. 132-133.
  • Sonzogni, Valentina. “Frederick Kiesler et la Maison sans fin.” In: L’Architecture d’aujourd’hui. 74.349 (November-December 2003). 48-57.
  • Vidler, Anthony. “Fantasy, the Uncanny and Surrealist Theories of Architecture.” In: Papers of Surrealism. 1 (Winter 2003).
  • Whitehead, Ingrid. “Snapshot: Kiesler’s unforgettable interior.” In: Architectural Record. 9 (2003). 103-104.

 

2002

  • Austrian Frederick and Lillian Kiesler Private Foundation, and Museum für Moderne Kunst Frankfurt am Main, ed. Friedrich Kiesler. Art of This Century. Ostfildern: Hatje Cantz, 2002.
  • Ticha, Jana. “Friedrich Kiesler Endless House” In: Zlatý rez. 23 (Spring 2002). 48-51.
  • Vidler, Anthony. unHEIMlich. Über das Unbehagen in der modernen Architektur. Hamburg: Edition Nautilus, 2002.

 

2001

  • Bogner, Dieter. “Die Zweite Haut.” In: Der Architekt. 8.01 (2001). 33.
  • Bogner, Dieter, and Noever, Peter, ed. Frederick J. Kiesler. Endless Space. (Exh. cat.) Ostfildern: Hatje Cantz, 2001.
  • Laffoley, Paul. “April in New York.” In: Flaunt. 3 (2001). 72-84.
  • Luyken, Gunda. “Der Architekt der Visionen.” In: Morgen. 3 (2001). 34-35.

 

2000

  • Bogner, Dieter. “Frederick Kiesler et la Vision Machine.” In: Vision Machine. (Exh. cat.) Ed. Musée de Beaux-Arts de Nantes. Paris: Somogy éditions d’art, 2000. 136-145.
  • Luna, Mariana Cánepa. “Art of This Century, così si avverò il sogno di Peggy.” In: Stile arte. 44 (December 2000-January 2001).

 

1999

  • Berkel, Ben van, and Bos, Caroline. “Una capacidad para lo interminable.” In: Quaderns d’architectura i urbanisme. 222 (1999). 92-95.
  • Bogner, Dieter. “En el interior de la Endless House.” In: Quaderns d’architectura i urbanisme. 222 (1999). 100-105.
  • Bogner, Dieter, and Newman, Arnold, “Frederick Kiesler e la Shell Sculpture Eloise, 1962.” In: Casabella. 666 (April 1999). 86-87.
  • Bottero, Maria. Frederick Kiesler. L’infinito come progretto. Turin: Testo & Immagine, 1999.
  • Lelke, Roland. Der endlose Raum in Frederick Kieslers Schrein des Buches. Aachen: Shaker, 1999.

 

1998

  • Bogner, Dieter. “Friedrich Kieslers Manifeste du Corréalisme.” In: Daidalos. 69/70 (December-January 1998-99). 142-151.
  • Ryan, Kevin. “Endless Kiesler. The Revolutionary Vision of Frederick Kiesler 1890-1965.” In: Easy Listener. 6.2 (1998). 12-16.

 

1997

  • Boeckl, Matthias. “Die Stellung der Moderne in der kulturellen Selbstpräsentation Österreichs.” In: Kunsthistoriker. 13/14 (1997/1998). 119-124.
  • Bogner, Dieter, ed. Friedrich Kiesler 1890-1965. Inside the Endless House. (Exh. cat.) Vienna: Böhlau, 1997.
  • Bogner, Dieter, ed. Frederick Kiesler 1890-1965. En el interior des Endless House. (Exh. cat.) Valencia: IVAM Centre Julio Gonzalez, 1997.
  • Kooij, Barbera van, ed. Witte de With Cahier #6. Düsseldorf: Richter, 1997.
  • Linder, Mark. “Wild Kingdom. Frederick Kiesler’s Display of the Avant-Garde.” In: Autonomy and Ideology. Positioning an Avant-Garde in America. Ed. R. E. Somol. New York: Monacelli, 1997. 122-153.

 

1996

 

1995

 

1994

 

1993

 

1992

 

1990

 

1989

 

1988

 

1987

 

1986

 

1985

 

1984

 

1983

 

1982

  • Held, R. L. Endless Innovations. Frederick Kiesler’s Theory and Scenic Design. Ann Arbor: UMI, 1982.

 

1981

  • Goldberg, Rose Lee. “Frederick Kiesler, Endless Love.” In: Flash Art. 102 (March/April 1981). 37-39.

 

1979

  • Goodman, Cynthia. “The Current of Contemporary History: Frederick Kiesler’s Endless Research.” In: Arts. 54.1 (September 1979). 118-123.

 

1978

  • s.n. “Frederik Kiesler mostre a Monaco e Zurigo.” In: Domus. 588 (November 1978). 2.

 

1977

  • Goodman, Cynthia. “Frederick Kiesler: Designs for Peggy Guggenheim’s Art of This Century Gallery.” In: Arts Magazine. 51.10 (June 1977). 90.
  • Museum of Modern Art, New York, ed. A Tribute to Anthology Film Archives’ Avantgarde Film Preservation Program. An Evening Dedicated to Frederick Kiesler. New York: Museum of Modern Art, 1977.

 

1975

  • Galerie nächst St. Stephan, ed. Frederick Kiesler. Architekt Maler Bildhauer Schriftsteller Bühnenbildner Designer. (Exh. cat.) Vienna: Galerie nächst St. Stephan, 1975.
  • Lawder, Standish D. “Léger, L’Herbier, and L’Inhumaine.” In: The Cubist Cinema. New York: NYU, 1975. 99-115.
  • Momi, Paolo de. “Frederick Kiesler.” In: Casabella. 41.407 (November 1975). 26-31.
  • Rykwert, Joseph. “Kiesler, mostra a Vienna.” In: Domus. 546 (May 1975). 49.

 

1973

  • Ashton, Dore. The New York School. A Cultural Reckoning. Berkeley: University of California, 1973. (27-31.)

 

1972

  • Eliot, Alexander. “Encounters with Artists.” In: Atlantic. 230.4 (October 1972). 99-104.
  • Gubler, Jacques, and Barbey, Gilles. “Frederick Kiesler et la problématique du ‘contemporary art applied to the store and its display’.” In: werk. 59.11 (November 1972). 662-666.

 

1970

  • McMillan, Ann. “The Listening Eye.” In: craft horizons. 30.1 (January-February 1970). 14-19

 

1969

  • Bottero, Maria. “Frederick Kiesler 1923-64.” In: Zodiac. 19 (1969). 6-49.

 

1967

  • Fitch, James Marston. “Outrageous Fortune.” In: New York Times. 15.01.1967. 30.
  • Pedio, Renato. “Una leggenda moderna. Frederick Kiesler dal Neoplasticismo alla continuità.” In: L’Architettura. 143 (1967). 299-318.

 

1966

  • Goulet, Patrice. “Frederick Kiesler.” In: Aujourd’hui. Art et architecture. 53 (May-June 1966). 30-37.

 

1926-1965

  • Arp, Jean. “L’oeuf de Kiesler et la Salle de Superstition.” In: Cahiers d’Art. 22 (1947). 281-286.
  • Barr, Alfred H. “Kiesler’s Galaxy.” In: Harper’s Bazaar. April 1952. 142-143.
  • Benson, E. M. “Wanted: An American Bauhaus for Industrial Design.” In: American Magazine of Art. 27.6 (June 1934). 307-312.
  • Creighton, Thomas. “Kiesler’s Pursuit of an Idea.” In: Progressive Architecture. 42.7 (July 1961). 104-123.
  • De Kooning, Elaine. “The Modern Museum’s Fifteen: Dickinson and Kiesler.” In: Art News. 51.2 (April 1952). 20-23, 66-67.
  • Drexler, Arthur. “Frederick Kiesler and his Endless House.” In: Vogue. 135.1 (January 1960). 114-115.
  • Farber, Manny. “Spatial Exhibition at Peggy Guggenheim’s and A New Way of Seeing Pictures.” In: Magazine of Art. 35.8 (December 1942). 305.
  • Huges, Alice. “A Woman’s New York.” In: Reading Eagle. 07.01.1966.
  • Huxtable, Ada Louise. “Architecture on TV: ‘Greatest Non-Building Architect of Our Time’ Expounds His Ideas.” In: New York Times. 27.03.1960.
  • Johnson, Philip. “Three Architects.” In: Art in America. 48.1 (Spring 1960). 70-75.
  • Levin, Kim. “Kiesler and Mondrian. Art into Life.” In: Art News. 72.63 (May 1964). 38-41, 49-50.
  • Lönberg-Holm, Knud. “New Theatre Architecture in Europe.” In: Architectural Record. 67.5 (May 1930). 490-496.
  • Ragon, Michel. “Frederick Kiesler: Le Précurseur annonce l’architecture feminine des courbes.” In: La Galerie des Arts. 20 (November 1964). 26-28.
  • Raynal, Maurice. “Stadt in der Luft.” In: G. Material zur elementaren Gestaltung. Ed. Hans Richter. 4 (March 1926). 10.
  • s.n. “American Opera Designs.” In: Architectural Forum. 77.1 (January 1942). 14.
  • s.n. “Design’s Bad Boy.” In: Architectural Forum. 86 (February 1947). 88-91, 138, 140.
  • s.n. “New Display Technique for ‘Art of this Century’ designed by Frederick Kiesler.” In: Architectural Forum. 78.2 (February 1943). 49-50.
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